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Early Modern Drama
Disability Studies
Shakespeare
Embodiment
Health and Disease
Gender and Sexuality
I am a PhD student focusing on the intersection of the Medical Renaissance, disability studies, and early modern epistemology in England’s theatre culture. My dissertation is premised on a fundamental dialectic of the human body: while it is the corporeal site where ideas about being human converge and contend with each other, it is also the medium through which experiences are perceived and mediated. The project thus proceeds to explore the question of how subjectivity is shaped by/with disabled bodies, investigating how particular social conceptions and material conditions of disability give shape to disabled characters’ subjectivities in early modern drama, as well as the ways in which these characters remap their physical and social environments. The dissertation is funded through a Doc.CH scholarship from the Swiss National Science Foundation (project 214720: https://data.snf.ch/grants/grant/214720).
I hold a BA in English and an MA in Literary Studies. My research centres on early modern literature, particularly drama. I have a strong interest in the theme of embodiment in its various forms, especially those related to gender, ability, and race. I am part of the Early Modern Team at the English Department.
Publications: “The Tempest (1611) and the Disabling New World.” Shakespeare Seminar Online, Vol. 21, Community and Diversity in Shakespeare (forthcoming) “The Eunuch’s Body and Neoplatonic Masculinity in Twelfth Night.” MHRA Working Papers in the Humanities, Vol. 19, Writing the Body (forthcoming) “The Histrionics of Warrior Masculinity in 1 & 2 Tamburlaine (1587).” conexus, Vol. 7, No. 1, War and Peace (November, 2024), pp. 112-132, doi:10.24445/conexus.2024.07.008. |
Conference & Workshop Presentations: “The Tempest and the Disabling New World” Shakespeare Seminar, Annual Conference of the German Shakespeare Society. Bochum, Germany. April 2024. “Embodiment/Disability” in “DramaSCAPEs: The Spatial, Cognitive, Affective and Perceptual Ecologies of Early Modern Drama” CUSO Doctoral Workshop. Geneva, Switzerland. March 2024. |
Academic Visits: 07.2024-12.2024. Visiting Scholar, Centre for Renaissance and Early Modern Studies, University of York, UK. |