Publications

Isabel Karremann, “Women and the Country House: Enlightenment Critiques of Property Law and Gender in Eighteenth-Century Women’s Writing.” In Vom Recht der Frau zu den Frauenrechten. Ed. by Isabel Karremann, Anne-Claire Michoux, and Gideon Stiening. Feministische Aufklärung in Europa 3. Stuttgart: Metzler (2024), 65–91.

Isabel Karremann (ed.), Shakespeare/Space. Shakespeare Intersections Series. London: Bloomsbury (2024).
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Isabel Karremann, “Introduction.” In Shakespeare/Space. Ed. by Isabel Karremann. Shakespeare Intersections Series. London: The Arden Shakespeare (2024), 1–21.

Beatrice Montedoro, “Text/Space: The Spaces of Commonplacing.” In Shakespeare/Space. Ed. by Isabel Karremann. Shakespeare Intersections Series. London: The Arden Shakespeare (2024), 255–276.

Isabel Karremann and Jonathan Baldo (eds.), Memory and Affect in Shakespeare’s England. Cambridge: Cambridge University Press (2023).
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Isabel Karremann and Jonathan Baldo, “Introduction.” In Memory and Affect in Shakespeare’s England. Ed. by Isabel Karremann and Jonathan Baldo. Cambridge: Cambridge University Press (2023), 1–19.

Isabel Karremann, “Bartholomew Fair’s Olfactory Cross-Mappings: Smell – Place – Memory.” In Literature and the Senses. Ed. by Annette Kern-Stähler and Elizabeth Robertson. Oxford Twenty-First Century Approaches to Literature. Oxford: Oxford University Press (2023), 218–235.

Isabel Karremann, Frauke Berndt, and Klaus Müller-Wille (eds.), Figures of Pathos: In Honour of Elisabeth Bronfen. Würzburg: Königshausen & Neumann (2023).

Isabel Karremann, Review of Ritchie Robertson, Enlightenment: The Pursuit of Happiness, 1690–1740. London: Allen Lane, 2020. In Aufklärung 35 (2023), 407–412.

Antoinina Bevan Zlatar, Review of Patrick J. McGrath, Early Modern Asceticism: Literature, Religion, and Austerity in the English Renaissance. University of Toronto Press (2020). Renaissance Quarterly 75:4 (2022), 1400–1401.

Isabel Karremann, Reviews of Amy Cook, Shakespearean Futures: Casting the Bodies of Tomorrow on Shakespeare’s Stages Today; Peter Kirwan, Shakespeare in the Theatre: Cheek by Jowl; Harry R. McCarthy, Performing Early Modern Drama Beyond Shakespeare: Edward’s Boys. Shakespeare Jahrbuch 158 (2022), 205–210.

Antoinina Bevan Zlatar, “God Talk: Seeing and Hearing the Dialogue in Heaven in Milton’s Paradise Lost.” Milton Studies 63:2 (2021), 211–241.

Antoinina Bevan Zlatar, “Introduction: Words, Books, Images, and the Long Eighteenth Century. Essays for Allen Reddick.” In Words, Books, Images, and the Long Eighteenth Century: Essays for Allen Reddick. Ed. by Antoinina Bevan Zlatar, Mark Ittensohn, Enit Steiner, and Olga Timofeeva. Amsterdam: John Benjamins (2021), 1–15.

Antoinina Bevan Zlatar, “‘The pretious life-blood of a master spirit’: Thomas Hollis and the Body and Spirit of John Milton.” In Words, Books, Images, and the Long Eighteenth Century: Essays for Allen Reddick. Ed. by Antoinina Bevan Zlatar, Mark Ittensohn, Enit Steiner, and Olga Timofeeva. Amsterdam: John Benjamins (2021), 121–149.                   

Antoinina Bevan Zlatar, “Milton among the Iconoclasts.” In Making Milton: Print, Authorship, Afterlives. Ed. by Emma Depledge, John Garrison, and Marissa Nicosia. Oxford: Oxford University Press (2021), 123–140.

Isabel Karremann (ed.). Die Gleichheit der Geschlechter: Eine Literaturgeschichte der Aufklärung. Gesammelte Aufsätze von Ina Schabert. Feministische Aufklärung in Europa 1. Stuttgart: Metzler (2021).

Isabel Karremann, Zeno Ackermann, Simi Malhotra, and Nishat Zaidi (eds.), Terrains of Consciousness: Multilogical Perspectives on Globalization. Würzburg: Würzburg University Press (2021).

Isabel Karremann, “From Insular Territory to Global Terrains of Consciousness: The Case of Robinson Crusoe and The Farther Adventures.” In Terrains of Consciousness: Multilogical Perspectives on Globalization. Ed. by Zeno Ackermann, Isabel Karremann, Simi Malhotra, and Nishat Zaidi. Würzburg: Würzburg University Press (2021), 13–34.

Anne-Claire Michoux, “The Silence of Miss Woodhouse.” Persuasions Online 41:2 ( 2021). (read here) 

Anne-Claire Michoux. “Feminist Paratext in Mary Robinson’s A Letter to the Women of England (1799).” Eighteenth-Century Paratext Network (2021). (read here)

Isabel Karremann, “The Inheritance of Loss: Post-Reformation Memory Culture and the Limits of Antiquarian Discourse.” In Remembering the Reformation. Ed. by Brian Cummings, Ceri Law, Bronwyn Wallace, and Alexandra Walsham. New York: Routlegde (2020), 41–58.

Isabel Karremann, “Post-Reformatorische Gedächtniskultur in Edmund Spensers ‘The Ruines of Time’.” In Formen der Selbstthematisierung in der vormodernen Lyrik. Spolia Berolinensia 39. Ed. by Dorothea Klein. Hildesheim: Weidmann (2020), 321–339.

Isabel Karremann and Gideon Stiening (eds.). Die Feministische Aufklärung in Europa/The Feminist Enlightenment across Europe. Sondernummer Aufklärung: Interdisziplinäres Jahrbuch zur Erforschung des 18. Jahrhunderts und seiner Wirkungsgeschichte, vol. 32 (2020).

Isabel Karremann, “Religion and the Feminist Enlightenment: The Case of Mary Astell.” In Die Feministische Aufklärung in Europa / The Feminist Enlightenment across Europe. Aufklärung 32 (2020), 67–86.

Isabel Karremann, “Die Crusoe-Trilogie als Utopie der Einsamkeit.” In Kulturen der Einsamkeit. Ed. by Ina Bergmann and Dorothea Klein. Würzburg: Königshausen und Neumann (2020), 195–210.

Beatrice Montedoro, Review of Evelyn Tribble, Early Modern Actors and Shakespeare’s Theatre: Thinking with the Body. London: The Arden Shakespeare (2017). Notes and Queries 67:4 (2020), 573–575.

Beatrice Montedoro, “Comedies and Tragedies ‘read of me’ and ‘not yet learned’: Dramatic Extracting in Bodleian Library MS Rawlinson D 952.” In Early British Drama in Manuscript. Ed. by Tamara Atkin and Laura Estill. Turnhout: Brepols (2019), 281–298.